- |#Shakespearesaysitbetter
- |#Shakespearesaysitbetter
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QUOTES FROM THE BARD
I stand on fire: come to the matter
ACT/SCENE: 5.5
SPEAKER: Cymbeline
CONTEXT:
CYMBELINE
I stand on fire:
Come to the matter.
IACHIMO
All too soon I shall,
Unless thou wouldst grieve quickly. This Posthumus,
Most like a noble lord in love and one
That had a royal lover, took his hint;
And, not dispraising whom we praised,—therein
He was as calm as virtue—he began
His mistress’ picture; which by his tongue being made,
And then a mind put in’t, either our brags
Were crack’d of kitchen-trolls, or his description
Proved us unspeaking sots.
CYMBELINE
Nay, nay, to the purpose.
DUTCH:
Ik sta op kolen, kom toch tot de zaak.
MORE:
Brags=Boasts
Cracked=Blustered
Of=About
Trolls=Maids
Unspeaking=Inarticulate
Sot=Fool
To the purpose=Get to the point
Compleat:
To brag=Pochen, roomen, opsnyen
To crack=Kraaken, barsten, splyten; pochen
Young trollop (serving maid)=Jong meisje, dat eerst begint te dienen
Sot (blockhead)=Zot, domkop
Topics: patience, sorow, truth
I return’d with simular proof enough to make the noble Leonatus mad
PLAY: Cymbeline
ACT/SCENE: 5.5
SPEAKER: Iachimo
CONTEXT:
IACHIMO
Your daughter’s chastity—there it begins.
He spake of her, as Dian had hot dreams,
And she alone were cold: whereat I, wretch,
Made scruple of his praise; and wager’d with him
Pieces of gold ‘gainst this which then he wore
Upon his honour’d finger, to attain
In suit the place of’s bed and win this ring
By hers and mine adultery. He, true knight,
No lesser of her honour confident
Than I did truly find her, stakes this ring;
And would so, had it been a carbuncle
Of Phoebus’ wheel, and might so safely, had it
Been all the worth of’s car. Away to Britain
Post I in this design: well may you, sir,
Remember me at court; where I was taught
Of your chaste daughter the wide difference
‘Twixt amorous and villanous. Being thus quench’d
Of hope, not longing, mine Italian brain
‘Gan in your duller Britain operate
Most vilely; for my vantage, excellent:
And, to be brief, my practice so prevail’d,
That I return’d with simular proof enough
To make the noble Leonatus mad,
By wounding his belief in her renown
With tokens thus, and thus; averring notes
Of chamber-hanging, pictures, this her bracelet,—
O cunning, how I got it!— nay, some marks
Of secret on her person, that he could not
But think her bond of chastity quite crack’d,
I having ta’en the forfeit. Whereupon—
Methinks, I see him now—
DUTCH:
In ‘t kort, mijn plan gelukte zoo, dat ik
Met schijnbewijzen wederkwam, genoeg
Om de’ eed’len Leonatus dol te maken
MORE:
Cold=Chaste
Made scruple=Disputed
In suit=Wooing
Post=Hasten
Design=Plan
For my vantage=To my advantage
Practice=Scheme
Simular=Simulated
Averring=Alleging
Compleat:
To scrupule=Zwaarigheid maaken
Design=Opzet, voorneemen, oogmerk, aanslag, toeleg, ontwerp
Vantage=Toegift, toemaat, overmaat, overwigt
Practice=(underhand dealing, intrigue, plot) Praktyk, bedekten handel, list
To averr=Verzeeren, staande houden, bewaarheden
Topics: deceit, evidence, reputation
Wilt thou undo the worth thou art unpaid for, by tasting of our wrath?
PLAY: Cymbeline
ACT/SCENE: 5.5
SPEAKER: Cymbeline
CONTEXT:
CYMBELINE
Why, old soldier,
Wilt thou undo the worth thou art unpaid for,
By tasting of our wrath? How of descent
As good as we?
ARVIRAGUS
In that he spake too far.
CYMBELINE
And thou shalt die for’t.
BELARIUS
We will die all three:
But I will prove that two on’s are as good
As I have given out him. My sons, I must,
For mine own part, unfold a dangerous speech,
Though, haply, well for you.
ARVIRAGUS
Your danger’s ours.
GUIDERIUS
And our good his.
DUTCH:
Wat, oude krijger,
Wilt gij uw loon, nog onbetaald, verbeuren
Door onzen toorn te wekken? Hoe! in afkomst
Aan ons gelijk?
MORE:
On ‘s=Of us
Given out him=Said he is
Haply=Perhaps
Compleat:
To give out=(Report, pretend): Voorwenden, uitstrooijen
Haply=Misschien
Topics: reputation, status, equality
Your pleasure was my mere offence
PLAY: Cymbeline
ACT/SCENE: 5.5
SPEAKER: Belarius
CONTEXT:
BELARIUS
So sure as you your father’s. I, old Morgan,
Am that Belarius whom you sometime banish’d:
Your pleasure was my mere offence, my punishment
Itself, and all my treason; that I suffer’d
Was all the harm I did. These gentle princes—
For such and so they are—these twenty years
Have I train’d up: those arts they have as I
Could put into them; my breeding was, sir, as
Your highness knows. Their nurse, Euriphile,
Whom for the theft I wedded, stole these children
Upon my banishment: I moved her to’t,
Having received the punishment before,
For that which I did then: beaten for loyalty
Excited me to treason: their dear loss,
The more of you ’twas felt, the more it shaped
Unto my end of stealing them. But, gracious sir,
Here are your sons again; and I must lose
Two of the sweet’st companions in the world.
The benediction of these covering heavens
Fall on their heads like dew! for they are worthy
To inlay heaven with stars.
CYMBELINE
Thou weep’st, and speak’st.
The service that you three have done is more
Unlike than this thou tell’st. I lost my children:
If these be they, I know not how to wish
A pair of worthier sons.
DUTCH:
Uw machtspreuk was mijn heel vergrijp, mijn straf,
En heel mijn hoogverraad; mijn onrecht was
Onrecht te lijden
MORE:
Pleasure=Amusement
Mere offence=Only wrongdoing
Gentle=Noble
Arts=Skills
Moved=Persuaded
Excited=Incited
Unlike=Unlikely
Compleat:
Pleasure=Vermaak, vermaakelykheid, verlustiging, pleizier, welbehaagen
Mere (meer)=Louter, enkel
Gentle=Aardig, edelmoedig
Art=Behendigheid
Moved=Bewoogen, verroerd, ontroerd
Topics: offence, punishment, vanity, betrayal
When shall I hear all through? This fierce abridgement hath to it circumstantial branches which distinction should be rich in
PLAY: Cymbeline
ACT/SCENE: 5.5
SPEAKER: Cymbeline
CONTEXT:
CYMBELINE
When shall I hear all through?
This fierce abridgement
Hath to it circumstantial branches which
Distinction should be rich in. Where, how lived you?
And when came you to serve our Roman captive?
How parted with your brothers ? How first met them?
Why fled you from the court? And whither? These,
And your three motives to the battle, with
I know not how much more, should be demanded,
And all the other by-dependences
From chance to chance; but nor the time nor place
Will serve our long interrogatories. See,
Posthumus anchors upon Imogen;
And she, like harmless lightning, throws her eye
On him, her brothers, me, her master, hitting
Each object with a joy; the counterchange
Is severally in all. Let’s quit this ground,
And smoke the temple with our sacrifices.
Thou art my brother, so we’ll hold thee ever.
DUTCH:
O, wond’re neiging!
Wanneer verneem ik alles nog? Deez’ schets,
Zoo haastig, duidt het overrijke takwerk
Nauw aan, dat ik nog volgen, kennen moet.
Waar leefdet gij, en hoe?
MORE:
Fierce=Savagely cut (abstract)
Abridgement=Summary, abstract
Circumstantial branches which distinction should be rich in=Providing ample narrative for consideration of parts and details
Your three motives=The motives of you three
By-dependences=Side issues
Interrogatories [Intergatories]=Examination, question
Chance to chance=Describing every event
Counterchange=Reciprocation
Severally=Every one in his particular way and manner
Smoke=Perfume with smoke
Compleat:
Fierce=Heftig, vel, vinnig; wreed; trots
Abridgement=Een verkortsel
Circumstantial=Omstandig
To circumstantiate=Met omstandigheden beschryven
Dependance, dependency=Afhangendheid, afhanglykheid, vertrouwen, steunsel, steun
Interrogatory=Ondervraagende; een ondervraaging, vraagstuk
Chance=Geval, voorval, kans
Counter-change=Ruilen
Severally=Verscheidenlyk
Topics: intellect, nature, justification, reason, reply