QUOTES FROM THE BARD

How creeps acquaintance?

PLAY: Cymbeline
ACT/SCENE: 1.4
SPEAKER: Iachimo
CONTEXT:
IACHIMO
Ay, and the approbation of those that weep this
lamentable divorce under her colours are wonderfully
to extend him; be it but to fortify her judgment,
which else an easy battery might lay flat, for
taking a beggar without less quality. But how comes
it he is to sojourn with you? How creeps
acquaintance?
PHILARIO
His father and I were soldiers together; to whom I
have been often bound for no less than my life.
Here comes the Briton: let him be so entertained
amongst you as suits, with gentlemen of your
knowing, to a stranger of his quality.
I beseech you all, be better known to this
gentleman; whom I commend to you as a noble friend
of mine: how worthy he is I will leave to appear
hereafter, rather than story him in his own hearing.
FRENCHMAN
Sir, we have known together in Orleans.
POSTHUMUS LEONATUS
Since when I have been debtor to you for courtesies,
which I will be ever to pay and yet pay still.

DUTCH:
Maar hoe komt het, dat hij bij u zijn intrek genomen heeft? Waar rankt zich deze bekendheid aan vast?

MORE:
Weep=Lament
Colours=Banner (on her behalf)
To extend him=Exaggerate his qualities
Be it but=Were it only
Easy=Light, slight
Battery=Assault
Without less=With no more
How creeps acquaintance=How did you get to know one another
Suits=Is fitting
Knowing=Knowlege, experience
Story him=Talk about him, sing his praises
Every to pay and yet pay still=Can never repay
Compleat:
To weep (lament)=Klaagen, jammeren
Colour=Een vaandel
Extend=Uitbreiden, wyder uitstrekken
Battery=Een schietschans, beukery, stormkat, battery
To creep=Kruipen, sluipen
To creep into one’s favour=Zich behendig in iemands gunste wikkelen
To story=Verhaalen, vertellen

Topics: marriage, wisdom, reputation, debt/obligation

Let him be so entertained amongst you as suits, with gentlemen of your knowing, to a stranger of his quality

PLAY: Cymbeline
ACT/SCENE: 1.4
SPEAKER: Philario
CONTEXT:
IACHIMO
Ay, and the approbation of those that weep this
lamentable divorce under her colours are wonderfully
to extend him; be it but to fortify her judgment,
which else an easy battery might lay flat, for
taking a beggar without less quality. But how comes
it he is to sojourn with you? How creeps
acquaintance?
PHILARIO
His father and I were soldiers together; to whom I
have been often bound for no less than my life.
Here comes the Briton: let him be so entertained
amongst you as suits, with gentlemen of your
knowing, to a stranger of his quality.
I beseech you all, be better known to this
gentleman; whom I commend to you as a noble friend
of mine: how worthy he is I will leave to appear
hereafter, rather than story him in his own hearing.
FRENCHMAN
Sir, we have known together in Orleans.
POSTHUMUS LEONATUS
Since when I have been debtor to you for courtesies,
which I will be ever to pay and yet pay still.

DUTCH:
Daar komt onze Bril aan. Laat zijn ontvangst
door u zoo hoffelijk wezen, als een vreemdeling van zijn
rang recht heeft te verwachten van edellieden van uwen
stempel.

MORE:
Weep=Lament
Colours=Banner (on her behalf)
To extend him=Exaggerate his qualities
Be it but=Were it only
Easy=Light, slight
Battery=Assault
Without less=With no more
How creeps acquaintance=How did you get to know one another
Suits=Is fitting
Knowing=Knowlege, experience
Story him=Talk about him, sing his praises
Every to pay and yet pay still=Can never repay
Compleat:
To weep (lament)=Klaagen, jammeren
Colour=Een vaandel
Extend=Uitbreiden, wyder uitstrekken
Battery=Een schietschans, beukery, stormkat, battery
To creep=Kruipen, sluipen
To creep into one’s favour=Zich behendig in iemands gunste wikkelen
To story=Verhaalen, vertellen

Topics: marriage, wisdom, reputation, debt/obligation

For if we two be one, and thou play false, I do digest the poison of thy flesh

PLAY: The Comedy of Errors
ACT/SCENE: 2.2
SPEAKER: Adriana
CONTEXT:
ADRIANA
Ay, ay, Antipholus, look strange and frown.
Some other mistress hath thy sweet aspects.
I am not Adriana, nor thy wife.
The time was once when thou unurged wouldst vow
That never words were music to thine ear,
That never object pleasing in thine eye,
That never touch well welcome to thy hand,
That never meat sweet-savored in thy taste,
Unless I spake, or looked, or touched, or carved to thee.
How comes it now, my husband, O, how comes it
That thou art thus estranged from thyself?
Thy “self” I call it, being strange to me,
That, undividable, incorporate,
Am better than thy dear self’s better part.
Ah, do not tear away thyself from me!
For know, my love, as easy mayest thou fall
A drop of water in the breaking gulf,
And take unmingled thence that drop again
Without addition or diminishing,
As take from me thyself and not me too.
How dearly would it touch thee to the quick,
Shouldst thou but hear I were licentious
And that this body, consecrate to thee,
By ruffian lust should be contaminate!
Wouldst thou not spit at me, and spurn at me,
And hurl the name of husband in my face,
And tear the stained skin off my harlot brow,
And from my false hand cut the wedding ring,
And break it with a deep-divorcing vow?
I know thou canst, and therefore see thou do it.
I am possessed with an adulterate blot;
My blood is mingled with the crime of lust;
For if we two be one, and thou play false,
I do digest the poison of thy flesh,
Being strumpeted by thy contagion.
Keep then fair league and truce with thy true bed,
I live disstained, thou undishonorèd.

DUTCH:
Want zijn wij tweeën één en zijt gij valsch,
Dan stroomt het gif van uw bloed in het mijn’,
En door uw smetstof word ik tot boelin.

MORE:
Look strange=Look confused, unknowing
Incorporate=Of one body
Possession=Akin to ‘infect’
Harlot brow=Branding on the forehead with a hot iron was punishment for prostitution
Strumpeted=Turned into a strumpet, prostitute (by contamination)
Unstained=Undefiled (some editors use disstain here)
The quick=The core
Licentious=Unfaithful
Blot=Stain
Compleat:
Incorporated=Ingelyfd
To enter into a league=In een verbond treeden, een verbond aangaan
Truce=Een bestand, stilstand van wapenen, treves
Possession=Bezetenheyd
Harlot=Boer, snol
Strumpet=Hoer
Licentious=Ongebonden, los, toomeloos
Blot=Een klad, vlak, vlek, spat

Topics: loyalty, ruin, reputation, marriage, love, respect

If voluble and sharp discourse be marred, unkindness blunts it more than marble hard

PLAY: The Comedy of Errors
ACT/SCENE: 2.1
SPEAKER: Adriana
CONTEXT:
LUCIANA
Fie, how impatience loureth in your face.
ADRIANA
His company must do his minions grace,
Whilst I at home starve for a merry look.
Hath homely age th’ alluring beauty took
From my poor cheek? Then he hath wasted it.
Are my discourses dull? Barren my wit?
If voluble and sharp discourse be marred,
Unkindness blunts it more than marble hard.
Do their gay vestments his affections bait?
That’s not my fault; he’s master of my state.
What ruins are in me that can be found
By him not ruined? Then is he the ground
Of my defeatures. My decayèd fair
A sunny look of his would soon repair.
But, too unruly deer, he breaks the pale
And feeds from home. Poor I am but his stale.

DUTCH:
Ontnam reeds rimp’lige ouderdom mijn wang
Haar boeiend schoon? Wie heeft het mij geroofd,
Dan hij? Is geest en scherts in mij verdoofd?
Neemt iets aan vlug en lucht gekout den moed,
‘t Is barschheid, ruw en hard als steen, die ‘t doet.
Lokt and’rer fraai gewaad hem van mijn zij,
‘t Is mijn schuld niet, want hij koopt mij kleedij.
Wat is in mij vervallen en is ‘t niet
Door hem? Ja, zoo hij mij vervallen ziet,
Hij ziet zijn eigen werk; één zonnestraal
Van hem, mijn schoon herleeft in morgenpraal.

MORE:
Proverb: As hard as a stone (flint, rock)

Voluble=Fluent, articulate
Sharp=Subtle, witty
Voluble and sharp discourse=Articulate and witty conversation
To blunt=Dull the edge of, repress, impair, i.e. blunt the natural edge
Ground of=Reason for
Defeatures=Disfigurements
Stale=Laughing-stock, dupe; decoy or bait set up as a lure
Pale=Enclosure
Compleat:
A voluble tongue=Een vloeijende tong, een gladde tong, een tong die wel gehangen is
Sharp=Scherp, spits, bits, streng, scherpzinnig
Court minion=Een gunsteling van den Vorst; Troetelkind
To blunt=Stomp maaken, verstompen
To pale in=Met paalen afperken, afpaalen. Paled in=Rondom met paalen bezet, afgepaald
To make on a stale (property or stalking-horse) to one’s design=Iemand gebruiken om ons oogmerk te bereiken

Topics: language, intellect, respect, marriage, relationship, loyalty, proverbs and idioms

There’s none but asses will be bridled so

PLAY: The Comedy of Errors
ACT/SCENE: 2.1
SPEAKER: Adriana
CONTEXT:
ADRIANA
There’s none but asses will be bridled so.
LUCIANA
Why, headstrong liberty is lashed with woe.
There’s nothing situate under heaven’s eye
But hath his bound, in earth, in sea, in sky.
The beasts, the fishes, and the wingèd fowls
Are their males’ subjects and at their controls.
Man, more divine, the masters of all these,
Lord of the wide world and wild wat’ry seas,
Endued with intellectual sense and souls,
Of more preeminence than fish and fowls,
Are masters to their females, and their lords.
Then let your will attend on their accords.
ADRIANA
This servitude makes you to keep unwed.
LUCIANA
Not this, but troubles of the marriage bed.

DUTCH:
Een ezel is ‘t, die zulk een staf verdraagt!

MORE:
Bridled=Controlled
Headstrong=Obstinate, ungovernable
Situate under heaven’s eye=Under the sun
His bound=Its fixed place
Endued=Endowed
Accords=Permission, wishes
Compleat:
To bridle=Intoomen, breydelen, beteugelen
Headstrong=Weerzoorig, koppig, halsstarrig
A bound=Een grens, landperk
Endowed=Begiftigd, begaafd
Accord=Eendraft, toestemming

Topics: marriage, free will, independence, order/society, authority, equality

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